Kevin Dagg & Jonathan Shearer
A Life with Trees
6 - 28 MARCH 2026
Paintings, drawings and woodcarvings offering a shared yet distinct response to a life lived with trees.
A Life with Trees brings together two long-time artist friends — a sculptor and a painter — who first met at art school and have spent years seeking out fragments of Scotland’s ancient woodland. Meeting each spring and autumn, they work en plein air trying to capture what they experience through drawing and painting in a way that also expresses a sense of their deep connection to trees.
Jonathan Shearer - Birches Overlooking Migdale,
oil on canvas, 30.5 x 25.5cm
Kevin Dagg - Weathered Ash, Bridlebank, oil pastel on recycled marquee canvas, 59 x 37cm
Jonathan Shearer - Ancient Birch Tree, Migdale, oil on canvas, 51 x 61cm
Their works reflect an evolving understanding of trees not as solitary forms, but as interconnected beings — communicating, cooperating, and hosting rich worlds of lichens, epiphytes, and liverworts. Through colour, texture, and sculptural presence, the artists explore the play of light on trunk and canopy, and the quiet vitality of woodland life.
Kevin Dagg - Reaching for the Light, Burr Elm, Crammond, oil pastel on paper, 44.5 x 80cm
They also work independently to draw and paint the trees they know, observing the seasonal changes on familiar forms and local companions. Back in the studio more involved paintings are developed from sketches and figurative sculptures are created through the slow meditative process of woodcarving. Working quickly the paintings and drawings capture gesture and movement, and the sense of mark making is paralleled in the surface texture of the sculptures.
Kevin Dagg was previously a lecturer in sculpture at Edinburgh College of Art and is now in the process of building an EcoArtHut, an off-grid cabin in a private woodland in Fife. He feels a deep-rooted connection to the wood.
Kevin Dagg - Eco Warrior
Kevin says:
"Much of my carving begins with newspaper photographs: a momentary expression or posture caught by a camera lens that lingers long enough to stir something in me. Through carving, I attempt to make these images tangible again, to re-inhabit them in search of their humanity. Beginning with forceful, gestural cuts, the carving process gradually transitions into a slower, more deliberate mode of making, in which the surface is shaped with increasing sensitivity. As the work progresses, the form comes into focus through the careful removal of wood. The final sculptures retain the history of this struggle, their surfaces animated by shifting light and by translucent CMYK inks that mirror the original digital source.”
Kevin Dagg - The Filmmaker,
Scots pine from the Royal Botanic Garden Edinburgh
The Filmmaker is carved from 'Scots Pine' and came from the Royal Botanic Garden Edinburgh as subsidiary part of the After the Storm project.
“I recently left my college lecturing job to follow a long-held dream of building an off-grid cabin in the woods. During the week I live in the forest, spending my days outdoors among the trees, returning on weekends to family and civilisation. This immersion has led to a parallel drawing practice that seeks to capture the subtle transformations of the landscape — how colour shifts with the light to reveal and obscure form. The practice offers a space for silence and reflection, a moment to breathe the air of the trees and slowly reconnect. As I imagine the vast network of communication happening below ground and through the air, I find myself thinking about their interconnectedness and where I fit within it. These drawings have become a counterpoint to the carvings, another way of processing and decompressing as I try to make sense of life. Together, the sculptures and drawings invite the viewer to pause, reconnect with a quieter pulse of life, and share in my connection to the trees.”
Kevin Dagg - Burr Elm Leaning, Crammond,
oil pencil on recycled marquee canvas, 59 x 59cm
Kevin Dagg - Sentinel Pine, Bridlebank.
pencil and ink on paper, 59.5 x 80.5cm
Please contact us if you are interested in any works by Kevin Dagg.
Through this immersive experience Jonathan has come to better appreciate the life of the trees through the seasons. 2025 was a ‘mast year’, that is one in which there is an abundance of fruit on the trees – beechnuts, acorns, samaras, hazelnuts, catkins, cones, ash keys and rowan berries – a feast for the birds, insects, squirrels and other animals.
Jonathan Shearer - A selection of Tree Portraits, oil on canvas, 21 x 15cm each
Jonathan paints en plein air and has created at least one tree painting almost every day of the year for the last year. He works with easily portable canvases measuring 21 x 15cm and a small but carefully chosen palette of colours. His sketchbooks are crammed full of observations in pastels, which, together with the canvases create a kind of arboreal diary for 2025-2026. Colour and light are supremely important to Jonathan as an artist, and it is by acute observation of these features in the woods that he is able to paint true depictions of these wonderful trees. Accompanying these smaller 'tree portraits' will be larger tree paintings and monochrome drawings.
Jonathan Shearer - Old Man Ancient Oak, Achility, oil on canvas, 100 x 120cm
Jonathan Shearer - Old Man Oak, Achility, charcoal on paper, 74 x 105cm
